JoAnn and Rupert Reyes Collection
Scope and Contents Note
This collection contains the professional papers of Rupert Reyes and JoAnn Carreon-Reyes, documenting Rupert's work as a playwright and as artistic director of Teatro Vivo and JoAnn's work as executive director of Teatro Vivo, the Austin-based bilingual theater company that they founded and ran from 2000 to 2016. The Reyes' retired from their leadership of Teatro Vivo in 2016, and the company is still active to date. Therefore, the documents representing Rupert and JoAnn's professional work are very similar to the documents created during their tenure at Teatro Vivo. This overlap highlights the parallel nature of the roles, activities, and events that each series of materials represents.
The collection is arranged in five series: Rupert Reyes and JoAnn Carreon-Reyes Professional Materials, Teatro Vivo Organizational Materials, Teatro Vivo Theatrical Materials, Audiovisual Materials, and Oversize Material.
The Rupert Reyes and JoAnn Carreon-Reyes Professional Materials series documents the Reyeses' professional activities outside of Teatro Vivo. The bulk of the Writings subseries consists of Rupert Reyes's unproduced scripts, as well as scripts that Reyes wrote prior to the formation of Teatro Vivo. The Press, Marketing, and Communications subseries contains publicity materials and press clippings for non-Teatro Vivo productions involving the Reyeses, professional correspondence, and documentation of awards and recognition given personally to JoAnn or Rupert. The files are arranged chronologically.
The Teatro Vivo Organizational Materials series documents Teatro Vivo's business operations and reflect JoAnn Carreon-Reyes' role as executive director. It is arranged in four subseries, with folders organized chronologically within each. The Grant Applications and Tax Records subseries contains materials from 2000 to 2013 that relate to the organization's tax accounting and 501(c)3 nonprofit status, as well as to its funding efforts via grant applications that describe its cultural merit and engagement with Austin's Latinx community. The Contracts subseries contains facility rental and personnel contracts that date from 2001 to 2016 and document Teatro Vivo's connection to actors, industry professionals, and venues of the local theater scene. The Expenses and Revenue subseries contain records of purchases, donations, ticket sales, and other financial transactions that date from 2000 to 2012. Lastly, the Press, Marketing, and Communications subseries contain marketing and communication materials that date from 2001 to 2015, and specifically relate to the Teatro Vivo organization as a whole, as opposed to individual productions.
The Teatro Vivo Theatrical Materials series contains documentation of productions staged by the Teatro Vivo theater company and materials related to each of those theatrical productions. Nearly the entirety of the subseries Stagecraft Materials consists of heavily annotated script with in-depth production and staging notes. The subseries Press and Marketing contains marketing materials for specific productions, marketing materials for the Teatro Vivo theatrical season, and press materials for and reviews of Teatro Vivo productions. The subseries Awards and Recognition contains awards and correspondence recognizing the artistic and community-minded contributions that the Reyeses and the theater company made in Austin. Each subseries is subdivided by the production title, with the exception of some general files, and all are organized chronologically.
The Audiovisual Materials series is organized by format. The Betacam Tapes subseries contains video recordings of an undated production of Petra's Pecado. The CDs subseries contains a wide variety of materials, including digital photo albums, sound cues, and musical recordings, most of which are related to various Teatro Vivo productions from 2003 to 2011. The DATs, DVDs, Hi-8 Tapes, MiniDVs, and VHS Tapes subseries mainly contain video recordings related to various productions from 1998 to 2013, including recordings of live performances, recordings of rehearsals, and audition tapes. These subseries also contain some materials that relate to the organizational duties of Teatro Vivo, such as a recording of a fundraiser and a copy of a commercial for a production of Petra's Pecado. The Hi-8 Tapes subseries includes a few recordings of Reyes family vacations and holiday celebrations.
The Oversize Material series contains large posters that have been separated from the rest of the collection in order to be stored in oversized archival boxes. These materials advertise Teatro Vivo productions from May 2000 to April 2016. There is also an assortment of posters advertising performances of works by Rupert Reyes that were produced by other Latinx theater companies, prior to the founding of Teatro Vivo. These early posters advertise the earliest productions of Petra's Pecado and Petra's Cuento in 1998. The series also includes a stage drawing for Petra's SueƱo, clippings related to grant support materials, and a hand-made poster titled "Petra's Tortillas y Mas" with signatures from different people.
Dates
- Creation: 1967-2016
- Creation: Majority of material found within 1993-2016
Language of Materials
English, Spanish
Access Restrictions
Advance notice is required to access audio visual material from Boxes 19-22.
Use Restrictions
Standard copyright restrictions apply.
The creators retain the copyright to some of the materials in this collection. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.
Biographical Sketch
Teatro Vivo is a bilingual theater company in Austin, Texas, dedicated to producing and supporting Latino theater based on the culture, history, and folklore of the Latino experience. Teatro Vivo was founded by Rupert Reyes and JoAnn Carreon-Reyes in 2000. Rupert Reyes was born to Ruperto and Dominga Reyes in Austin, Texas, in 1953, and he spent his childhood in Manor, Texas. JoAnn Carreon-Reyes was born to Joe and Mary Virginia Carreon in San Antonio, Texas, in 1954.
Both JoAnn and Rupert attended the University of Texas at Austin, where they met in 1974. JoAnn received her degree in Elementary Education and Rupert received his degree in Drama Education in 1976. The couple discovered Chicano theater when they saw an outdoor performance of Los Vendidos by Luis Valdez and his theater company, Teatro Campesino, as students in 1974. This experience, along with a campus visit by El Teatro de la Esperanza company founder Dr. Jorge Huerta in the same year, inspired the two to form a student Chicano theater company with friends. The company, Carnales en Espiritu, performed plays written by Teatro Campesino and El Teatro de la Esperanza, along with original material written by the students, until they disbanded in 1976 when the students graduated.
After graduation, the Reyes family moved to Houston, where Rupert became a fine arts teacher at the Association for the Advancement of Mexican Americans (AAMA) and JoAnn became a second grade bilingual teacher in the Houston Public School System. At the AAMA, Rupert used drama to encourage students to avoid destructive behavior that would hinder their education. Seeking more relevant material for their Latino experiences, he began to write original plays for his students to perform. He, his students, and other AAMA instructors formed Teatro Lagrimas y Risas to produce the plays.
The couple remained in Houston until 1978, when El Teatro de la Esperanza invited Rupert to audition for the company. The couple moved to Santa Barbara, where JoAnn served as the company's tour manager and Rupert worked as an actor, writer, and administrator. The Reyes family remained in California until 1982. Their first two children were born during their time there; Julio Reyes was born in 1979 and Carina Reyes was born in 1982.
The Reyes family returned to Austin later that year and temporarily left the professional theater industry. Their third child, Anya Reyes, was born in Austin in 1989.
In 1994, the Artistic Director of El Teatro de la Esperanza invited Rupert to submit a script for a festival the company was holding in California. Rupert's play, Petra's Pecado, was chosen for the festival and staged in 1994. After a successful staging in California, the play was produced professionally by multiple cultural arts centers in San Antonio and Austin. Following the success of the play, JoAnn and Rupert joined the board of Teatro Humanidad in Austin. In 1998, Rupert wrote Petra's Cuento, which was also performed professionally in Austin.
In 2000, the Reyes family left Teatro Humanidad and formed their own Latino theater company, Teatro Vivo. The company's first performance was a production of Petra's Cuento at the McCallum High School Theater in May of 2000. As of 2019, the company has produced more than forty-five productions. The company regularly collaborates with other arts organizations, aiming to target audiences in underserved communities around Texas and produce culturally relevant Latino theater that addresses critical social issues. Teatro Vivo has garnered numerous nominations for acting, writing, and design from local theater award councils, including the B.Iden Payne Awards and the Austin Critics Table Awards, and the company continues to serve as an active contributor to the arts community in Austin. JoAnn and Rupert led the company as the executive director and artistic director, respectively, until they stepped down in 2016. Both JoAnn Carreon-Reyes and Rupert Reyes have received accolades for their work with the company; JoAnn has been recognized by the Austin Woman Magazine and the City of Austin as one of the city's 100 Influential Latinas, while Rupert has been recognized by Austin Community College as one of the 25 Most Influential Hispanics in Austin. They both received the Community Leadership Award from the University of Texas in 2008 and the Partners in the Arts and Humanities award by the Austin City Council in 2011. The couple has continued to serve as advisors to the company and remain significant cultural ambassadors for Latino theater in the United States.
Full Extent
13 linear feet
Abstract
Collection of JoAnn Carreon-Reyes and Rupert Reyes, former directors of Austin theater company Teatro Vivo. Includes scripts and other stagecraft materials, press clippings, publicity materials, correspondence, financial and tax records, and audiovisual materials.
Acquisition Information
Donation.
Accession numbers: 2018-20
Additions
Further materials are expected for this collection.
Processing Information
Collection processed by Caroline Bowers, Logan Cooley, Vanessa Garcia Hutchins, Gabrielle Roth, and Katharine Samaniego (UT School of Information interns), Fall 2019.
Genre / Form
- DVDs
- audiocassettes
- awards
- books
- compact discs
- correspondence
- financial statements
- photographs
- posters
- scripts (documents)
- videocassettes
Geographic
Topical
- Title
- JoAnn and Rupert Reyes Collection
- Status
- Edited Full Draft
- Author
- Nettie Lee Benson Latin American Collection
- Date
- 2020
- Description rules
- Describing Archives: A Content Standard (Dacs)
- Language of description
- English
- Script of description
- Latin
- Language of description note
- Finding aid written in English.
Revision Statements
- 2020 September: Edited by Carla O. Alvarez to fix compliance check errors to prepare for the migration to new TARO website.
- 2021 November: Edited by Devon Murphy to update control access terms and formatting based on the TARO Control Access List.
- 2025 July: Revised by Ryan Sullivant to fix validation errors prior to ingestion into ArchivesSpace.
- 2026: Edited by Carla O. Alvarez.
Repository Details
Part of the Benson Latin American Collection, The University of Texas at Austin Repository
2300 Red River Street
Austin Texas 78712 United States
(512) 495-4578
bensonspecialcollections@austin.utexas.edu